Fast-rising multi-instrumentalist, producer and songwriter Charlie Jeer shares his highly anticipated, newly released EP, Take Away My Problems.
Following the success of ‘My Madonna’ and his summer collaboration ‘SO GOOD’ featuring British-Indian singer, songwriter and actress Simone Ashley, the seven-track project marks a significant evolution for Jeer. While the saxophone-led sound that first introduced him to audiences remains at its heart, Take Away My Problems expands into the worlds of disco-pop, embracing richer songwriting, broader production and a more emotionally expansive sonic palette.
At its core, Take Away My Problems is an escape. Across seven tracks, Charlie explores the search for peace in an increasingly chaotic world, using love, nostalgia and human connection as vehicles towards something deeper: a place where listeners can simply breathe.
Listen to ‘Jennifer’ on F1 Tracks.
Speaking about the project, Charlie explains: “Take Away My Problems isn’t just another EP with seven love songs. It’s a space away from the chaotic and problematic world we all live in. A journey towards peace, at times love is just a vehicle to that. Each song is really about finding somewhere to exhale, where the burden of life feels a little lighter.
“I wanted a scenario where someone could search ‘Take Away My Problems’, press play, and do just that. That’s what this EP is about. In terms of the sonics, I’ve pushed myself out of my comfort zone in places, using this project as an evolutionary soundboard away from just ‘jazz house’ to see what people connect with ahead of my next project.”
Still only 24 years old, Charlie Jeer has built his career by refusing to stay within one lane. A classically trained saxophonist who completed Grade 8 before his GCSEs, Charlie later studied Economics while simultaneously building an audience online, eventually leaving behind careers in boxing, security and modelling to pursue music full-time. That diverse journey continues to shape an artist equally comfortable behind a saxophone, in the producer’s chair or writing records that blur the boundaries between pop, disco and live performance.
